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2
- #1
KootK
Structural
- Oct 16, 2001
- 18,473
Obviously, it is a dangerous thing to admit to rubber stamping on this forum. Many members here feel that no version of rubber stamping is acceptable. They will want to chastise me and quote a whole bunch of state regulations justifying their stance. And I encourage that to some degree.
That said, my preference here is that the community discuss the ethical part of this amongst themselves, without involving me. I wish to not engage in that part of the discussion because:
1) It is my experience that those debates are unwinnable for me and can lead to unproductive conflict and;
2) My misadventure in rubber stamping has gone horribly off of the rails for reasons other than ethical ones. And it is that I wish to share with the community in the hope that I can prevent others from getting into similar trouble. I feel that we are often at our best when honestly discussing our practices and the pitfalls encountered in the course of our practice.
THE GENERAL SITUATION
a) ClientX is a manufacturer of things that are normally of a very small scale and come with very small potential consequences.
b) ClientX has worked with other rubber stampers in the past who clearly have never challenged them on anything. As a result, ClientX has the impression that they are capable of executing the structural design in full and that I am truly nothing but extraneous "sign off" required by the jurisdiction where they do work. This, obviously, is a negative consequence of engineers rubber stamping. It promulgates this perception in clients.
c) My signoff for one of ClientX's projects typically costs about $500 CAD. Cheap.
d) ClientX does not do great structural detailing. Much of it is antiquated and not in keeping with modern best practice. I let most of this slide because the work is of a very small scale and of low consequence.
e) ClientX also does not do proper shop drawings. They do higher level drawings and fabricate things themselves based on those. This makes pre-construction quality control difficult.
f) Why do I choose to work with ClientX? Two reasons:
i) I like them as people.
ii) There are many months where I earn $2,000 per month on ClientX's work where the effort involved is little more than the act of stamping and invoicing. Basically lawyer money.
THE SPECIFIC MISADVENTURE
a) Along comes a project that is 6X the height of a typical ClientX project. It's also vastly more complex with respect slenderness and geometry. In my mind, this one requires "real" engineering attention.
b) This new project tickled my Spidey senses but, at the same time, I optimistically thought this might be an opportunity where I could bring real value to ClientX's work. And I didn't feel that I could plausibly say "Nah, now that you have a project requiring real engineering, you'll need to find another engineer for that".
c) Naturally, ClientX wants this for the usual cost of $500 and 24HR turnaround. They bemoan my $2,500 fee and 3 week schedule but agree to it.
d) ClientX is unwilling to negotiate with the architect on anything. Not even things that would make the design and construction substantially easier with no meaningful compromise to the architectural vision. They view such negotiation as failure. This makes it difficult to prosecute the design. I can no longer do smart things for smart reasons.
e) ClientX is very difficult to deal with on what can only be an iterative design process. They fight me on absolutely everything. Everything that I do is needless overkill and not in keeping with what they've done with previous rubber stampers. Moreover, when they receive my suggestions, they respond with "Can we do this instead? What you've propose will be problematic for our fabrication team." That part is fine but what is difficult is that they are unwilling to share what it is about my recommendations that will cause them problems unless I tease it out of them painfully over the course of several days. Their proposals often do not work but I'm unable to tweak mine to please them because I don't know what they don't like about my recommendations for long periods of time.
f) I sketch ClientX beautiful connection details that are basically shop drawing level. Instead of reproducing my details, they condense them into a couple of notes to save effort. It's pulling teeth to get them to produce drawings that I would consider acceptable for the communication of a significant and complex design. And, as you can imagine, ClientX is frustrated with me "bullying" them into expending effort in the course of a work process with which they are not accustomed.
THE UNFORTUNATE RESULT
a) In terms of hours, I've now burned through my $2,500 fee twice over. And, worse, I've come to the conclusion that I won't ever be able to get ClientX to produce design drawings that I will be happy with on this assignment. But, nonetheless, I need to bring this assignment to a close. So there will be ethical compromise here that even I am not comfortable with.
b) My client is unhappy with my work.
c) I am unhappy with my work. It does not feel good to disappoint a client so utterly.
d) My cash cow, easy money relationship is dead in the water.
e) While I've been tending to this nightmare, I've been dragging my feet on other projects with clients that don't want to kill me (yet).
That said, my preference here is that the community discuss the ethical part of this amongst themselves, without involving me. I wish to not engage in that part of the discussion because:
1) It is my experience that those debates are unwinnable for me and can lead to unproductive conflict and;
2) My misadventure in rubber stamping has gone horribly off of the rails for reasons other than ethical ones. And it is that I wish to share with the community in the hope that I can prevent others from getting into similar trouble. I feel that we are often at our best when honestly discussing our practices and the pitfalls encountered in the course of our practice.
THE GENERAL SITUATION
a) ClientX is a manufacturer of things that are normally of a very small scale and come with very small potential consequences.
b) ClientX has worked with other rubber stampers in the past who clearly have never challenged them on anything. As a result, ClientX has the impression that they are capable of executing the structural design in full and that I am truly nothing but extraneous "sign off" required by the jurisdiction where they do work. This, obviously, is a negative consequence of engineers rubber stamping. It promulgates this perception in clients.
c) My signoff for one of ClientX's projects typically costs about $500 CAD. Cheap.
d) ClientX does not do great structural detailing. Much of it is antiquated and not in keeping with modern best practice. I let most of this slide because the work is of a very small scale and of low consequence.
e) ClientX also does not do proper shop drawings. They do higher level drawings and fabricate things themselves based on those. This makes pre-construction quality control difficult.
f) Why do I choose to work with ClientX? Two reasons:
i) I like them as people.
ii) There are many months where I earn $2,000 per month on ClientX's work where the effort involved is little more than the act of stamping and invoicing. Basically lawyer money.
THE SPECIFIC MISADVENTURE
a) Along comes a project that is 6X the height of a typical ClientX project. It's also vastly more complex with respect slenderness and geometry. In my mind, this one requires "real" engineering attention.
b) This new project tickled my Spidey senses but, at the same time, I optimistically thought this might be an opportunity where I could bring real value to ClientX's work. And I didn't feel that I could plausibly say "Nah, now that you have a project requiring real engineering, you'll need to find another engineer for that".
c) Naturally, ClientX wants this for the usual cost of $500 and 24HR turnaround. They bemoan my $2,500 fee and 3 week schedule but agree to it.
d) ClientX is unwilling to negotiate with the architect on anything. Not even things that would make the design and construction substantially easier with no meaningful compromise to the architectural vision. They view such negotiation as failure. This makes it difficult to prosecute the design. I can no longer do smart things for smart reasons.
e) ClientX is very difficult to deal with on what can only be an iterative design process. They fight me on absolutely everything. Everything that I do is needless overkill and not in keeping with what they've done with previous rubber stampers. Moreover, when they receive my suggestions, they respond with "Can we do this instead? What you've propose will be problematic for our fabrication team." That part is fine but what is difficult is that they are unwilling to share what it is about my recommendations that will cause them problems unless I tease it out of them painfully over the course of several days. Their proposals often do not work but I'm unable to tweak mine to please them because I don't know what they don't like about my recommendations for long periods of time.
f) I sketch ClientX beautiful connection details that are basically shop drawing level. Instead of reproducing my details, they condense them into a couple of notes to save effort. It's pulling teeth to get them to produce drawings that I would consider acceptable for the communication of a significant and complex design. And, as you can imagine, ClientX is frustrated with me "bullying" them into expending effort in the course of a work process with which they are not accustomed.
THE UNFORTUNATE RESULT
a) In terms of hours, I've now burned through my $2,500 fee twice over. And, worse, I've come to the conclusion that I won't ever be able to get ClientX to produce design drawings that I will be happy with on this assignment. But, nonetheless, I need to bring this assignment to a close. So there will be ethical compromise here that even I am not comfortable with.
b) My client is unhappy with my work.
c) I am unhappy with my work. It does not feel good to disappoint a client so utterly.
d) My cash cow, easy money relationship is dead in the water.
e) While I've been tending to this nightmare, I've been dragging my feet on other projects with clients that don't want to kill me (yet).