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Jazz Appreciation Month - April 2021

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BigH

Geotechnical
Dec 1, 2002
6,012
G'day Colleagues,

As Fattdad and perhaps a few others know, I am writing a month long "blog" on jazz artists that I have run into since my last attempt at this some years back. I am posting here and in a reply the first three days of April. Let me know if you like this - some really good music out there. Sometimes we need as little fun outside of technical!

April 1st, 2021
Family, Friends, Brothers,Classmates and Colleagues. April is upon us and again, April is Jazz Appreciation Month. A few years ago, I celebrated the month, or at least most of the month, with jazz artists that I found interesting – and ones that were sort of out of the mainstream of Miles Davis, John Coltrane, Charles Mingus, Thelonius Monk, Duke Ellington, Stan Getz, Chet Baker, and Roy Haynes among so many other icons in the jazz genre.
I can precisely identify the first time I really consciously heard jazz and what then set me on to enjoy the music. Of course, we all have heard jazz in the movies and tv shows (example, the music for Peter Gunn) but that was really background noise at a young age. In my mid-teens –probably the time era of Sam the Sham and the Pharaos’ “Wooly Booly” and Crispian St. Peters’ “The Pied Piper” – when visiting Willoughby Ohio’s Woolworths at the Willo-Plaza, I saw and bought a cut-out LP by Johnny Griffin entitled “Night Lady” on the Emarcy label. It had songs such as Scrabble and Summertime; I was hooked.
I enjoy many genres of jazz, big bands, bebop, post-bop, avante garde and more. During the course of this Jazz Appreciation Month, I will put forth a number of jazz musicians that I have discovered over the course of the last few years; some I have heard of but never really listened to. Some are brand new to me even though from the early decades of my life.
I aim to present a number of them during the course of the month. Many though will likely be from the 1950s-1960s. I have discovered several Japanese jazz musicians and they will be presented during the month. Some of the artists will be “way out there” and might be hard on the ears until you listen several times or more than several – but they have had an influence on jazz music . . . and me. I hope that you will enjoy.

Miles Davis: 1926-1991. To start, though, I will go with an artist that nearly everyone should know – Miles Davis. My wife Luky’s first concert ever was Miles when he played in Toronto. Her second concert was Beethoven’s 9th Symphony – go figure! This is from the most prolific selling jazz album of all time – “Kind of Blue”. Totally recommend this album if you haven’t heard of it. I also recommend, among Miles’ huge number of recordings, “Bitches Brew”.
Cheers to all! I hope that many will discover new music and artists.


April 2nd, 2021
Ryo Fukui: 1948-2016. Ryo Fukui was as Japanese pianist. I do not have much information on Ryo. He and his wife ran the jazz club “Slowboat” in Sapporo Japan. Ryo only released 5 albums before his departure from the living. He did tour the US where he met Barry Harris an American jazz pianist and became good friends. Harris wrote a special tune for his friend upon his death, Fukai Aijo (深い愛情). Ryo’s wife still runs the Slowboat.
I like his album “Scenery” which was his first. A really neat tune is “Early Summer” which starts at about the 10’50” mark. Some great piano – and a driving rhythm. I hope you enjoy it!


April 3rd, 2021
Freddie Redd: 1928-2021. The other day I read that Freddie Redd had passed at age 92 on St. Patrick’s Day, 2021. I am sad to admit that I had not heard of him and one would think that at 92, he would have been well known. Born and raised in NYC, he started serious study in jazz at age 18. He did a stint in the military from 1946 to 1949. Afterwards he played with a number of groups and composed a score for The Connection (play) and subsequent movie. As many of the jazz musicians had to do (for instance Dexter Gordon) he left for Europe to return in mid-1970s and moved to the West Coast. A link to some information is given in a reply to this post.
He recorded a number of albums under his name – the following is from the album “Straight Ahead”. Enjoy.

 
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April 4th, 2021
Michel Camilo: 1954- . Michel hails from the Dominican Republic. When the Harvard University Jazz Band visited there the band leader told him that he belonged in the States. In 1979, he moved to NYC. His trio debuted at Carnegie Hall in 1985 after a few years touring with Paquito D’Rivera. One of his first albums, an excellent one, was with a trio entitled “Suntan/In Trio” which included Anthony Jackson on bass) – the first tune “We Three” is a moving quick number (youtube: * wh1aRmN7lHw). Michel has won a Grammy and an Emmy. On one of his albums, He is known to compose for movies and holds a visiting professorship at the Berkley College of Music after receiving his Doctorate there.
An excellent concert is at youtube - * v6TrfLYtBwI (Michel Camilo at Jazzwoche Burghausen, 2008)
The selection today is Michel’s Big Band album Caribe. The line-up playing has some stellar personnel. On baritone sax is Gary Smulyan, a particular favourite of mine, and John Faddis on trumpet. The first tune is entitled “Why Not?” – that’s what I say, “Why not!!”
 
Happy Easter to all.

Also, considering jazz....anyone heard from McCoy recently?

 
No - haven't heard from McCoy - will try to find the time to contact him . . . or use some contacts to find him (the contractor on the job here is Italian).

Now:

April 5th, 2021
Bobby Timmons: 1935-1974. Bobby was another jazz musician that died too young! And for sad reasons – drugs and alcohol . . . . I just discovered him – what can I say – there are so many out there that it is hard to keep up or to have been exposed to many especially in the 50s and early 60s. Some think that he is underappreciated.
Bobby was born in Philadelphia and studied piano with Robert Habershaw who also taught McCoy Tyner who is well known for his time with John Coltrane and on his own. Having moved to New York in 1954, in the 50s to very early 60s Timmons played with Maynard Ferguson, Sonny Stitt, the Art Blakey and the Jazz Messengers for a while as well as the Cannonball Adderley group. Bobby also composed and in 1961 he started up his own group with Ron Carter on bass. From 1961 to 1968 he released about 15 albums. But, things started to decline due to drugs and alcohol which started taking their toll on him in the latter 60s. It seems that after 1968 or so, he more or less became a sideman. In 1974 he joined the Clark Terry Big Band for a tour in Europe and on the way over he drank on the plane and soon fell over drinking at a bar before their first concert. He was flown back to the US and was in the hospital before he passed – cirrhosis.
A sad ending – however, a large collection of his work in his few years is available. This first song on this album is entitled “A Little Barefoot Soul”. If you are fan of the walking bass, listen to “Little One” at minute 13. Hope you enjoy!
 
April 6th, 2021
Mulatu Astatke: 1943- . Ethiopian, Mulatu ( ሙላቱ አስታጥቄ ) was sent by his parents to Wales to study engineering but he chose to study music ending with a degree from Trinity College of Music in London. He moved to the United States in the 1960s to study at Berklee in Boston. He was introduced to Latin jazz and, playing his vibraphone, recorded two such records in 1966 on Afro-Latin Soul. He became known, though in the 1970s as the Father of Ethio-jazz which he took back to Ethiopia. In these years through, say, the mid-70s, he recorded a number of Ethio- based albums. Mulatu seems to have faded, as did Charles Lloyd, into obscurity about the mid-70s except in his own country.
Music avidists began to rediscover his music in the 1990s and this led to a number of recording re-releases. His music was used in the film Broken Flowers. As undertones, his music also found its way into such shows as This American Life. In the 2000s he has traveled in Europe and North America playing with various bands notably the Heliocentrics. He has been involved with both Harvard and MIT working on creating a modern version of the traditional Ethiopian instrument krar.
He has released a number of albums, as noted, under his own name. I have chosen a compilation album, New York-Addis-London, The Story of Ethio-Jazz, 1965-1975 to showcase his work. The first tune is “Yèkèrmo Sèw” (A Man of Experience and Wisdom). This can also be found in a live performance on *sLoWBmpGDfg.
 
Guess I am very low brow, keeping polkas on all day long. WRJQ on their WEB site. In a new QTH now.

 
Cliff - polkas are okay for one or two. The rock band I played in while in Jr High played a polka every dance - but none of the kids knew what to do with it! :)

Today, the 7th, is the second Japanese artist I am highlighting. Hope some of you enjoy!

April 7th, 2021

Hiromasa Suzuki: 1940-2001. I cannot really tell you much about Hiromasa Suzuki (鈴木宏昌) as English language information is scant. I will try to find out more via a few mates I worked with from Japan in Indonesia. He is a Japanese jazz pianist, composer, arranger active in the Japanese music scene. In his “radical times” he was deeply involved with Terumasa Hino, Akira Ishikawa and Jiro Inagaki. He has released quite a number of albums under his own name, for instance High Flying.

The selection below is Hiromasa’s album By the Big Red Stream released in 1973 – a pretty interesting album. Amongst the musicians is Jiro Inagaki (稲垣次郎) who in his own right has released a number of albums under Jiro Inagaki & Soul Media (see "Funky Stuff") on which Hiromasa is the pianist!) In any event have a listen to this interesting jazz/fusion album and enjoy. The first tune is the album’s very own “By the Big Red Stream”. Also have a listen to the “way out there” tune “There Is Not Any Way To End The War” starting at the 24’ mark.

 
April 8th, 2021

Johnny Griffin: 1928-2008. As I mentioned on April Fool’s Day, my first jazz album was by Johnny Griffin. Johnny was a prolific saxophonist. Early on he played with Thelonius Monk, Art Blakey’s Jazz Messengers and more. In 1963 he moved to France – France was becoming a beacon for American jazz musicians due to several issues – racism being one. Apparently, Johnny’s reasons included taxes, a failing marriage and feeling unappreciated. France appreciated jazz! In any event, he became a stalwart on the Europe Jazz Scene and stayed in France until his death in 2008.

Here is “Stix’ Trix” on his album Johnny Griffin Sextet. The musicians on this session were top tier – Pepper Adams (on baritone sax), Wilbur Ware (on bass), Philly Joe Jones (on drums), Kenny Drew (on piano) and Donald Byrd (on trumpet).

 
Today is Big Band Day!! If you like Frank Zappa - here's the band for you!

April 10th, 2021

Ed Palermo: 1954- . Ed Palermo is a jazz alto saxophonist who has played with such notables as Aretha Franklin, Tony Bennett, Mel Torme and The Spinners. He is not known, however, as a “solo” artist but as the leader of the Ed Palermo Big Band. The great Gil Evans discovered Ed’s talents for arranging and he has taken this on with gusto. Being a child of the “rock” years, i.e., Jimi Hendrix, The Beatles, Frank Zappa and the Mothers of Invention (“Freak Out”, “Absolutely Free”, “We’re Only In It For The Money”, etc.) and Edgar Winter.

Ed has made a name for himself arranging Big Band jazz tunes of what most of us consider our rock idols. From playing clubs with little attendance, he decided one day to put together a club show entirely focused on tunes of the icon Frank Zappa. Word got out and the venue was packed. Instead of one night, this led to something like 9 years of packed crowds with each show being different. He has released a number of Zappa influenced albums: (1) The Ed Palermo Big Band Plays the Music of Frank Zappa, (2) Take Your Clothes Off When You Dance, (3) Oh No!! Not Jazz!!, and (4) One Child Left Behind featuring Murphy Brock of the original Zappa bands and Zappa’s sister Candy Zappa. More albums include three volumes of The Great Un-American Songbook. If inclined, you might look up Downbeat Magazine’s January 2021 article “Ed Palermo Big Band: Run With It!”

A new feature of Ed’s is mashup of tunes of different artists together. One such is a “mashup” of The Moody Blues’ “Nights in White Satin” and Frank Zappa’s “Moogie” which is on The Great Un-American Songbook Volume III which also includes mashups of The Beatles “Strawberry Fields Forever” and Zappa’s “Shove It Right In”; Zappa’s “Let’s Move to Cleveland” and the Beatles “Fixing a Hole”.

 
A Japanese pianist doing a very classic song who many associate with Ray Charles!

April 11th, 2021

Masaru Imada: 1932- . Masaru, born in Toyko, is another in a long line of Japanese Jazz pianists – but given his birth well before World War 2, he is one of the “originals”. Masaru has led trios and jazz fusion groups. In 1979, he performed at the Montreal Jazz Festival – and recorded in NYC with such luminaries as Grover Washington Jr, Randy Brecker and others. His son is also a jazz pianist.

I have picked an iconic tune to showcase Masaru, namely “Georgia on My Mind”. Most probably believe that this is Ray Charles’ song . . . no, not originally. Written in 1930 by Hoagy Carmichael and Stuart Gorrell after Frankie Trumbauer suggested it, the song was recorded in the same year by Hoagy Carmichael on September 15th, 1930 in NYC with Bix Beiderbecke. According to Second Hand Songs’ Website (secondhandsong dot com / work / 2968 / versions (no spaces)) the song has been recorded more than 700 times through December 26, 2020. I have always enjoyed the 1965 version by the Davis Spencer Group on their LP with Stevie Windwood on keyboards. Notables, both with singing and/or just instrumentals include Canadian Oscar Peterson, Keith Jarret, Frank Morgan, Junior Mance, David “Fathead” Newman, the great Etta James, the Queen Ella Fitzgerald with Joe Pass, Louis “Satchmo” Armstrong, Billie Holiday, Ricky Nelson, Tom Jones, James Brown, Willie Nelson, Bing Crosby, Leon Russell, Chet Atkins plus so so many others.

Today, though, we are looking at Masaru Imada and his version of “Georgia on My Mind”, released on his album Songs on My Mind at the 6’03” mark.

 
April 12th, 2021

Christian Scott: 1983- . Christian Scott also known as Christian Scott aTunde Adjuah is as jazz trumpeter born in New Orleans. At 12, he came under the tutelage of his uncle saxophonist Donald Harrison Jr. which is a pretty good lineage! Christian’s first recordings at age 19 was with his uncle’s quintet via Real Life Stories, Kind of New and Paradise Found released in 2002 and 2003. He released on his own label an album entitled Christian Scott in 2002 era. He also played with Pat Metheny and Gary Burton.

Between 2002 and 2020, Christian has released 15 albums as leader and has been a sideman on another 18 albums including with Prince (2007), Marcus Miller (2011) and three with his uncle Donald in 2002 and 2003. Christian’s debut major label album Rewind That on the Concord Label which was nominated for a Grammy for Best Contemporary Jazz Album. Christian has also been involved with other records receiving Grammy nominations.

In my humble opinion, the powerful trilogy album by Christian is The Centennial Trilogy which commemorates the 100th anniversary of the first jazz album in 1917 (February 26) (* Um4xhfwYnvg). (The Centennial Trilogy album can be found on Youtube at (* ZEkWSHBQLIQ). (Remember the * stands for the first part of all Youtube video urls up to and including the = sign.) The third installment of the Trilogy, "The Emancipation Procrastination" was nominated for the 2018 Grammy of Best Contemporary Instrumental Album.

The selection today, thought, is a video from NPR’s Jazz Night in America concert at the New Orleans Jazz Market. The first two minutes is an introductory talk by Christian – well worth listening to. The concert starts at about the 2’ mark. I hope you enjoy and look up more of Christian’s works.

 
April 13th, 2021

Trygve Seim: 1971- . Trygve is a Norwegian saxophonist who, after hearing Jan Garbarek’s CD Eventyr, decided it was his “calling” to learn to play. Trygve studied music in Norway including the Trondheim Musikkonservatorium. In 1991 he founded with Christian Wallumrød the group Airamero and released the group titled album in 1994. As with many jazz musicians, he is involved in a number of groups – trios, quartets, large ensembles or as a featured artist with other groups. As a member of the quartet The Source, they have made 5 records and have toured in Europe and Russia.

Trygve’s debut as a leader is on a record called Different Rivers. He has also worked with classical musicians and some recent concert videos I’ve sampled one can tell that there is some classical, albeit not of the Beethoven/Schubert genre. One video found to be captivating is at (* 3OMS1ITY47s ) where * stands, again, for the normal front end of the youtube url. This song is of Trygve and a singer Ruth Wilhelmine Meyer at the Tøyen Church in 2020. To see other sides, check out his tune “Beginning an Ending” ( * eNutTg63-dA ) where one comment was “less is more”s; then his large ensemble at the Skopje Jazz Festival 2020 (* 7jHQH8MGIv0 ).

For today’s selection, Trygve is playing as a featured addition to the Rembrandt Frerichs Trio. A very nice upbeat tune by Tony Overwater entitled “Unhindered”. The song starts out with Trygve on sax, then into the piano solo by Rembrandt and then, yes as unbelievable as it is, an accordion solo by Frode Haltli ! Enjoy – I surely did!

 
April 14th, 2021

Steven Feifker: 1991- . I would dare say that Steven is the youngest of some 30 artists that will be featured this month. At age 29, he is the same age as our daughter, my little girl! But, the breadth of his work is astounding for such a young age. He has a Masters of Music in Jazz Composition from the Manhattan School of Music. He has lectured on jazz composition at Yale – yeah, I know, the bastion of elitist haute institution of the Ancient Eight. At least my Ivy school was not on the coast and was known as the Ivy’s “Cow College”.

Steven has won a number of awards, came in 2nd in the BMI Foundation Charlie Parker Jazz Composition Prize and was twice a semi-finalist in the prestigious Thelonius Monk Jazz Composition.

He has released two albums as a leader and has been involved with at least 23 others as a sideman, a composer or as an arranger or multiples of these. This includes arranging for The Birdland Big Band Live! album. He has also written music featured in films, television and theatre.

Steven is releasing his debut album for Big Bands in April 2021 entitled Kinetic and our selection today is the title song “Kinetic”

 
April 15th, 2021

Paquito D’Rivera: 1948- . Born in Cuba, Paquito took up the saxophone at 5. At 12, he attended Havana Conservatory of Music – but was becoming disenchanted as jazz/rock was ‘imperialistic’. After a meeting with Che Guevara, he decided to defect – which he did while on a tour in Spain in early 1980. Paquito found acceptance in the US and has become quite well established. He has won many Grammy and Latin Grammy awards over the years.

He notably wrote a letter to Santana admonishing Santana for wearing a Che Guevara shirt at the 2005 Academy Awards. Sadly many Americans and elsewhere have a favourable opinion for Guevara – but shouldn’t.

On the excellent album below – check out “Manteca” at minute 17’50” . . followed by “Samba for Carmen (McCrae)”. These might get you doing a bit of dancing – or at least feet tapping.

 
April 16th, 2021

Christián Cuturrufo: 1972-2021. I just discovered this artist this very month! Christian was a well known jazz trumpeter in his native Chile. He played extensively in Chile with musicians of whom I have not heard. However, he did a few tours in New Zealand and Southeast Asia in 2009 and in 2019 Cairo Jazz Festival to good reviews. He released 10 albums from 2000 to 2019 the last being Socus, a single composition.

Christian passed in the middle of last month (March 2021) of complications from Covid-19. He left a wife and 3 children.

But on to a more happy note, the selection today is his first album released in 2000 entitled Puro Jazz. This is generally a hard driving “real” jazz album and I think that you will enjoy. Especially catch the first tune “Stablemate”. Of course, being born a Hoosier, I like the jazz standard “Indiana” also known as “Back Home in Indiana” at the 27’-43” mark.

 
April 17th, 2021

Billy Taylor: 1921-2010. Billy Taylor was born in eastern North Carolina. The family moved to Washington DC when Billy was 7 to where his grandfather was a founder of the Florida Avenue Baptist Church and where Billy began to be absorbed in music. At 7, he told his parents he wanted to play jazz. Due to the times, it was difficult for Blacks to study jazz or even to study music. His childhood was full of music and in High School, his teacher was one that had also taught Duke Ellington. After high school, he went to Virginia State University – where jazz was frowned on – classical was “the music” to study. Luckily he had a teacher who, although she taught him classical, encouraged him to seek his passion in jazz.

After graduating, he returned for a short period to DC but then in 1944 took off to New York City where his fortunes found root. At many of the jazz clubs, aspiring musicians would hang around for a chance to “sit in” with the band – one night, late, he was able to sit down at the 88s and started playing. Who, but the great saxophonist Ben Webster, was sitting in the audience. He came up to the piano and told Billy – “I’m looking for a pianist – come to the Three Deuces on Sunday night!” Who else was on the bill? Art Tatum with whom Billy became friends.

Billy became a fixture in the NY scene releasing his own album, being the pianist for some Broadway shows, serving at Birdland as the house pianist (Birdland was/is probably the icon of all jazz joints). Interestingly, having become enthralled with Bebop, he was asked by a publisher to write an instructional book on the genre and hence “Billy Taylor’s Be-Bop for Piano” was born.

I will stop at this point – about 1950. I would recommend that if this has piqued your interest, then check out jazztimes dot com / features / tributes-and-obituaries / dr-billy-taylor-jazz-pianist-dies / (close up the spaces). Billy released about 45 albums from 1949 to 2002 besides being a sideman on numerous other albums. And, let it be known, he played with just about every jazz heavyweight of the Bebop era.

The selection today is from Billy’s 1960 recording Uptown. Skip to 5’-53” to catch the start of “Jordu” written by Duke Jordan. Other notable and recognizable tunes include Bobby Timmons’s “Moaning” at 21’-11” (see the April 5th post for Bobby Timmons) as well as “S’Wonderful” by the Gershwin Brothers at the 40’-19” mark.

 
Today's, the 18th, post is very dear to me. I went to highschool with a girl named Goodnight. To this day, she is in my top 5 (perhaps top 3) girls that I actually know well or in passing. The title song would be one to make one swoon! As noted below, she is an author ( and yes, was a small civil contractor. Cheers

April 18th, 2021


Ibrahim Maalouf: 1980- . Born in Beirut to a very musical and artistic family, Ibrahim started playing the trumpet with his father at age seven. He played a wide variety of music including classical, baroque, modern along with classical Arabic. The family moved to Paris due to the Lebanese civil war. Her toured with his father throughout Europe and the Middle East playing baroque music. He studied at the Conservatoire de Paris and recorded with a number of French artists. To read his biography he seems to be the proverbial “Greatest “thing” since sliced bread.” Yet, his talent in such a large variety of music genres – perhaps it is deserved.

Ibrahim has garnered many prestigious awards and has filled concert halls throughout Europe and the United States. He was the first jazzman to fill the largest concert hall in France. A show that he gave in 2016 was sold out 8 months in advance! He has composed, arranged and produced more than 15 albums for himself (12) and others and has also composed more than 10 symphonic works. A busy guy!

His music has the Arabic undertones and in my opinion a bit too smooth for my tastes – yet his impressive work needs to be highlighted.

There was an internal debate on whether to select one of Ibrahim’s concerts – in Istanbul (* le-e37ZMck8 ) or one in France (* 5Ypj2yP5p_E ) but then I ran into one of his compositions and there was no question that the selection today must be from his album Red & Black Light! This song is dedicated to Carol - a most beautiful friend, author and, yes, civil contractor! Enjoy “Goodnight Kiss” ! ! !

 
April 19th, 2021
Peter Beets: 1972- . Peter is a Dutch pianist who has played with a number of well-known artists such as Chick Corea, Wynton Masalis, Johnny Griffin (see the post of April 8th), Chris Potter and more.
Peter was born in The Hague to a musical family. His brothers Marius (double bass) and Alexander (tenor sax) performed with Peter as the Beets Brothers. They released eight albums together from 1990 to 2003. His first “solo” album, First Date, was recorded with Jeff Hamilton in 1996. He has released over ten albums mainly on the Dutch label Criss Cross. He has won a number of awards including the Edison Award for “Blues for the Date”, an album released of his compositions with the Jazz Orchestra of the Concertgebouw. The Edison is the Dutch equivalent of the Grammy. Oscar Peterson apparently had a large influence on Peter and in 2013 he released an album sort of dedicated to Oscar called Portrait of Peterson.
To showcase Peter, today’s selection is entitled “For Simon”.

 
When we going to see Monk?

Sure, Coltrane and Davis get big press, but Monk? So great!

Thinking all the CTI jazz is too produced for your tastes, eh? I really got into those albums, back in the early '70s. Hubbard, Turrentine, Benson, etc.

You are calling up names I've never heard of, but no surprise, I'm not plugged in much anymore. . .

f-d

ípapß gordo ainÆt no madre flaca!
 
Fattdad - This year I decided to put out names of those that I had never really heard of before or only recently. The 22nd will be one that I only discovered today. Yes, Monk is my man on the keyboards but he is quite well known (Trane, Monk, Davis, Mingus) although I like others like Joe Albany - Earl 'Fatha" Hines - where the space sometimes is more important than a note . . . As you might know, I am partial to Hiromi but this month discovered a number of other pianists. I see videos of these pianists and I question why I ever thought I could play the keyboards! I tried - even in my jr high rock group.

Now for today

April 20th, 2021

Dark Jazz/Noir Ambient: Today, if you know your history, is a “dark” day. I am not putting forth a particular artist today but will be providing a starting link to a genre of jazz known as “dark jazz” or “black ambience”. I discovered this rummaging through youtube jazz videos. The genre has many names: Dark Jazz, Horror Jazz, Doom Jazz – the sound of rain on a tin roof in the darkest of nights. The mood is somber – seems to be good for Halloween – slow, melancholy . . . like deep in the dark grave . . . or somewhat like the dirge of the Song of the Volga Boatmen or Chopin’s Funeral March . There is a Wikipedia article on Dark Jazz but it is in German. PM me if you wish a google translate copy.

There are a number of compilations out for which you can search. Here is one:

 
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