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Jazz Appreciation Month - April 2021

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BigH

Geotechnical
Dec 1, 2002
6,012
G'day Colleagues,

As Fattdad and perhaps a few others know, I am writing a month long "blog" on jazz artists that I have run into since my last attempt at this some years back. I am posting here and in a reply the first three days of April. Let me know if you like this - some really good music out there. Sometimes we need as little fun outside of technical!

April 1st, 2021
Family, Friends, Brothers,Classmates and Colleagues. April is upon us and again, April is Jazz Appreciation Month. A few years ago, I celebrated the month, or at least most of the month, with jazz artists that I found interesting – and ones that were sort of out of the mainstream of Miles Davis, John Coltrane, Charles Mingus, Thelonius Monk, Duke Ellington, Stan Getz, Chet Baker, and Roy Haynes among so many other icons in the jazz genre.
I can precisely identify the first time I really consciously heard jazz and what then set me on to enjoy the music. Of course, we all have heard jazz in the movies and tv shows (example, the music for Peter Gunn) but that was really background noise at a young age. In my mid-teens –probably the time era of Sam the Sham and the Pharaos’ “Wooly Booly” and Crispian St. Peters’ “The Pied Piper” – when visiting Willoughby Ohio’s Woolworths at the Willo-Plaza, I saw and bought a cut-out LP by Johnny Griffin entitled “Night Lady” on the Emarcy label. It had songs such as Scrabble and Summertime; I was hooked.
I enjoy many genres of jazz, big bands, bebop, post-bop, avante garde and more. During the course of this Jazz Appreciation Month, I will put forth a number of jazz musicians that I have discovered over the course of the last few years; some I have heard of but never really listened to. Some are brand new to me even though from the early decades of my life.
I aim to present a number of them during the course of the month. Many though will likely be from the 1950s-1960s. I have discovered several Japanese jazz musicians and they will be presented during the month. Some of the artists will be “way out there” and might be hard on the ears until you listen several times or more than several – but they have had an influence on jazz music . . . and me. I hope that you will enjoy.

Miles Davis: 1926-1991. To start, though, I will go with an artist that nearly everyone should know – Miles Davis. My wife Luky’s first concert ever was Miles when he played in Toronto. Her second concert was Beethoven’s 9th Symphony – go figure! This is from the most prolific selling jazz album of all time – “Kind of Blue”. Totally recommend this album if you haven’t heard of it. I also recommend, among Miles’ huge number of recordings, “Bitches Brew”.
Cheers to all! I hope that many will discover new music and artists.


April 2nd, 2021
Ryo Fukui: 1948-2016. Ryo Fukui was as Japanese pianist. I do not have much information on Ryo. He and his wife ran the jazz club “Slowboat” in Sapporo Japan. Ryo only released 5 albums before his departure from the living. He did tour the US where he met Barry Harris an American jazz pianist and became good friends. Harris wrote a special tune for his friend upon his death, Fukai Aijo (深い愛情). Ryo’s wife still runs the Slowboat.
I like his album “Scenery” which was his first. A really neat tune is “Early Summer” which starts at about the 10’50” mark. Some great piano – and a driving rhythm. I hope you enjoy it!


April 3rd, 2021
Freddie Redd: 1928-2021. The other day I read that Freddie Redd had passed at age 92 on St. Patrick’s Day, 2021. I am sad to admit that I had not heard of him and one would think that at 92, he would have been well known. Born and raised in NYC, he started serious study in jazz at age 18. He did a stint in the military from 1946 to 1949. Afterwards he played with a number of groups and composed a score for The Connection (play) and subsequent movie. As many of the jazz musicians had to do (for instance Dexter Gordon) he left for Europe to return in mid-1970s and moved to the West Coast. A link to some information is given in a reply to this post.
He recorded a number of albums under his name – the following is from the album “Straight Ahead”. Enjoy.

 
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April 21st, 2021

Yussef Dayes: 1993- . After the “darkness” of the previous day’s post, it is time to pick it up a bit and what is better than introducing Yussef Dayes, an up and coming jazz/funk/whatever drummer born and raised in London. Yussef was given his first drum kit by his Jamaican born bass-playing father. At 10 he began studying under Billy Cobham who is a well known drummer who has played with Miles Davis, Mahavishnu Orchestra, Larry Coryell, Horace Silver and others.

Yussef grew up in the 2010s London jazz scene playing with Kamaal Williams – releasing Black Focus (* 4D8YPDdsxYU ). He also works with a number of other artists such as Tom Misch and the two have just released an album on Blue Note, What Kinda Music. If interested, you can find an interview with Yussef at ( * GiCT3jdt-4M ).

But let’s get into Yussef’s live album Welcome to the Hills. One can feel, after a building up intro, the energy on the first song – “Black Love ~ Amazonian Springs” . Enjoy

 
April 22nd, 2021

Planned to do, today, a bit on Robert Glasper. But, given the recent passing of Sonny Simmons, it is only appropriate that he be the one highlighted during this month. You may want to look up Robert Glasper – quite interesting.

Sonny Simmons: 1933-2021: Sonny had a very interesting life and career. Born in Sicily Island Louisiana, his family was forced at gunpoint to give up their land (wpr article “Sonny Simmons, Fiercely Independent Alto Saxophonist, Dies at 87, 2021-Apr-13). The family moved to Oakland in 1944. In Oakland Sonny took up music firstly playing the English horn where he later helped to pioneer the instrument use in jazz on Jimmy Garrison and Elvin Jones’ 1964 album Illumination!. At 16, Sonny took up the alto saxophone with the inspiration of being Charlie “The Bird Parker” and began playing in groups around the area. He formed a relationship with Prince Lasha and moved to New York City. He played as a sideman with Prince Lasha, Eric Dolphy (albums Iron Man and Conversations).

In 1966 Sonny released his first album as a leader, Staying on the Watch which also included his wife Barbara Donald. Simmons continued recording and over his lifetime, released nearly 30 albums as a leader, 9 albums with a group Cosmosamatics which he founded along with another 15 or so as a sideman.

Sonny was known to be more along the lines of a Ornette Coleman – avant-garde – but as Michael West noted, he did not “embrace the movement as firmly as it embraced him”. In 2007, he told an interviewer “I got sucked into the avant-garde when I was a young cat, but actually I’d just as rather play beautiful melodies with my own compositions, with a groove.”

Getting back to New York he played regularly but in 1970 moved back to California with his wife Barbara and son. As with many jazz musicians, life, at times, were hard. Financial and family issues led to a lull in his music as he tried to make ends meet. But he divorced and slid as many did into a life of drugs and alcohol.

On the street he was known to busk for money. At this point, I want to take a story from Susan Wels article in SFJazz magazine on “Remembering Sonny Simons”.

“One evening in 1994, Randall Kline was riding his bike home from the San Francisco Jazz Festival loft on 10th street, as he did each night. It was Tuesday, around 8 p.m. and as he biked across Market Street and up Grant Avenue, he heard the wail of an also saxophone.
“The sound was notably great, much better than any street musician I’d ever heard.” said Kline. As he biked past Post Street, he spotted the sax player standing on sa deserted corner. It was no one he knew, but the sound was so compelling that Kline turned around, rode back, got off his bike, and sat down on the sidewalk to listen to him play for half an hour. . . . “I asked him his name, and he told me that he was Sonny Simmons,” Kline Said. “I was amazed. Simmons was a great musician, a legend.”


So started the resurgence of Sonny’s career. Kline was the founder and artistic director of SFJazz. He arranged Sonny to open a Branford Marsalis concert and it began starting with an album Ancient Ritual (1994). He founded the group Cosmosamatics. He traveled Europe and North America on the jazz club and festival circuit. In 2008, he received a Lifetime Achievement Award from the American Jazz Foundation.

Sonny passed on April 6th, 2021 – cause not known.

Sonny’s selection today is a collaboration with Mokcha Sanyisin on a 2014 album Nomadic. The album is, perhaps, somewhat similar to “Dark Jazz” but the first song, in dark room with your love and a nice glass of single malt (not thimble) with rain pattering down on the roof . . . well how can one not enjoy. The first song is entitled “Help Them Through This World” followed by “We Are Entering The Place of That,” “I Put It In a Dark Area Where I Don’t Remember No More” and “When It Comes, I Don’t Fight It.” I urge one to look up other works by Sonny.

 
Today a drummer!

April 23rd, 2021

Joe Farnsworth: 1968-
. Joe is a respected jazz drummer although it is likely few actually have heard of him. Well Wynton Marsalis has, Kenny Barron has, Eric Alexander has . . ., Harold Mabern has, Diane Krall has, Cecil Payne has, Pharoh Sanders has . . . Let’s say, many in the jazz world knows Joe. “I know Joe!” Obviously he is well respected to hold the rhythm needed in jazz.

Joe was born in Massachusetts in early 1968 (I was finishing my Sophomore year at Willoughby South (Ohio) High). He is the son of trumpeter and band leader Roger Farnsworth. One interesting point is that he studied in high school at the American International School in Jakarta Indonesia. The daughter of my friend who acted as my father when I married Luky in 1988 also attended the school albeit not at the same time.

As noted, Joe has played with many great players in the jazz world. He has recorded on more than 100 albums. He has played as a sideman with Eric Alexander on 18 albums between 1993 and 2016. He has played with Benny Golson as well as Mike LeDonne. He has played in the late McCoy Tyner (1936-2020, RIP) and also Pharoh Sanders. As a leader, Joe has released 4 albums the latest being Time to Swing in 2020. On this latter album, Wynton Marsalis is on trumpet, the great Kenny Barron on the ivories and Peter Washington on bass.

As an aside, when researching what little I could find on Joe, I found an interesting comment on bass playing back in 2008 by Joe’s father Roger to the bassist of the Framington High School Jazz band: “You need to be in his pocket. “You need to impregnate the band with your bass. The bass player is the engine.” How true! How true! When one listens to jazz – it IS the bass that gives it the swing; “It don’t mean a thing if it ain’t got the swing!”

A live performance of Joe’s can be viewed at (* VLP14AvSbrE ) Live at Dizzy’s 2016 – this is the best way to listen to jazz – LIVE!

But, to showcase groups led by Joe, today’s selection is “Sweet Papa” from a 2004 album entitled It’s Prime Time. One can feel the drum’s drive on this tune. A contemporary jazzman, Eric Alexander (1968- ) is on saxophone. The well-respected Harold Mabern (1936-2019) is on the 88s; in fact Joe studied at William Patterson College under Harold. Again, with Peter Washington on bass.

 
Back to Cuba!

April 24th, 2021

Chucho Valdés: 1941- .
Jesus “Chucho” Valdés was born in Cuba, the son of Cuban pianist Bebo Valdés who was the pianist and director of the Tropicana Club Orchestra and Orquesta Sabor de Cuba. Bebo actually fled Cuba in 1960. Considered almost a prodigy in Cuba, Chucho graduated from the Municipal Music Conservatory of Havana graduating at 14! Exposed to the music of Art Tatum and Thelonious Monk, Chucho soon formed a trio and played at various clubs around Havana.

Chucho is well known as a composer, bandleader and arranger becoming an international musical celebrity later in life. Chucho started releasing albums at in 1964, Jazz Nocturno, at age 23. He has released more than 20 albums with six albums on Blue Note Records – one of the most well-known jazz labels. In 1967 Chucho and his bandmates found Orquesta Cubana de Musica Moderna with other well-known Cuban musicians. An important step in Chucho’s life was the founding of the Cuban band Irakere which mixed a fusion of jazz, western classical, rock, funk and Afro-Cuban . . . They released the self-titled album Irakere which won a Grammy in 1980 for the Best Latin Recording. Chucho basically focused on his solo career in the 1990s.

Chucho never left Cuba but his notoriety allowed him to travel around the world for jazz festivals and the like. His friend and bandmate saxophonist Paquito D’Rivera defected to the USA in 1980. It did, though, also to permit him to play with his exiled father from time to time.

Overall, Chucho has won 4 Grammy Awards as a solo artist. 2 Grammies in ensembles and 3 Latin Grammies.

Chucho was the composer, arranger and pianist for the Cuban group Irakere – I’ve decided to use Irakere’s Live album to showcase an inkling of the music that Chucho put out. This will get you moving – no question about that!

 
April 26th, 2021

Laurent Coulundre: 1989- .
At a very young age, attracted likely to pounding on things, he picked up on drums but early on started to play the piano. Discovering jazz with Stéphane Kochoyan he began performing with a number of bands including Marcus Miller, Dee Dee Bridgewater and Al Jarreau. Moving to Barcelona to further advance his craft after initial studies in Vauvert and Toulouse, Laurent took up the Hammond Organ and subsequently moved to Paris in 2011.

Laurent began a busy schedule of collaborations with a number of French artists as he rose to establish himself on the scene. He started, too, recording his own music starting with Opus I and Opus II in 2011 and 2013 respectively. In 2015, Laurent released Schizophrenia. Later that year he opened for Sting at the Jazz à Vienne Festival. Many might not be aware of Sting’s penchant for jazz!

In 2017, Laurent put out the album Gravity Zero and in 2019, Laurent released a beautiful album Michel on My Mind to honour the late Michel Petrucciana (1962-1999), an amazing pianist. His tribute to Michel won the “French Record of the Year” from the Académie du Jazz. In 2020 Laurent was named French Musician of the Year.

You may check out ( * XvkyFcsXyNE ) to see an October 2020 concert of the Laurent Coulondre Trio. But, for now, to give a snippet of this amazing talent, I thought that this might be a good start, namely a mash-up of the Michel Petrucciani tune “She Did It Again” and Duke Ellington’s “Take the A-Train” the latter of which will be well known to all – unless one has had its head in the sand for years.

 
you listen to, "Acid Jazz?" I kind of enjoy that subset too!

Yesterday, I had Brooklyn Funk Essentials on the audio and wondered. . .

Brooklyn Recycles was the tune. You may like it?

Google it on YouTube to get an idea of that group.

I also like Karl Denson and his various groups. I think it's the Tiny Universe now? It was the Grayboy Allstars.

I also like Spearhead.

I collected a whole ton of, "Back to Mine" DJ compilations. These are more techno, but I like them!

Is it jazz? At some of these fringes, I just quit caring. It's cool to listen to!

f-d

ípapß gordo ainÆt no madre flaca!
 
@fattdad - you might also like Robert Glasper
 
Today's artist is Jon Beshay - I've actually been in touch with him through facebook messenger . . . hope you all like this - and fattdad - I'll look up those artists!

[i]April 27th, 2021

Jon Beshay: 1987-[/i] .
Jon, a jazz saxophonist, lives by the motto: “I play music because I like to listen to music, and when I'm playing I'm in charge of what I'm hearing.” Not a bad philosophy! And I like the music that he plays! And you should be pleased as well.

Jon’s initial inspirations were the “originals” Trane, Bird and Prez but as with most musicians, they don’t stay in the same groove over the long haul. Year after year, playing clubs after clubs, performing at festivals after festivals, Jon’s style covers the gambit of adaptable, energetic, fearlessly hard-swinging sound from street-band wailing of more traditional jazz to intricate post-bop melodies ala Joe Henderson and others. The icing on the cake is a repertoire that’s fresh and inviting to the ear “ . . . as long as it sounds good!”

Jon graduated from Michigan State University in 2011; before graduating he won a Downbeat Award for Outstanding Performing Group with his undergraduate member sextet. Jon has devoted his time and energy in not only his own music but pushing the music of his peers. His ultimate goal is to provide a jazz product at the level of “The way that Miles Davis, Art Blakey injected their bands with such incredible personality, such a strong unified sound. . . .”

As with nearly all jazz musicians of today, they float around in their own group, with other artists and in the various bands performing on today’s scene. Jon has served as musical director for Winard Harper, a celebrated jazz drummer, playing at the Kennedy Center for the Performing Arts, the Jazz Showcase in Chicago and the Omani Royal Opera House. Jon has spent time in New Orleans with Delfeayo Marsalis. Jon does keep busy!

Over the course of the month, so many new artists, to me, have been discovered with Jon being one. I would love to hear him play with Laurent Coulondre who was highlighted on the 26th April with some upbeat tunes! Let’s discover Jon’s music via a set in an intimate atmosphere from February of this year. For the start, skip to the 5’-30” mark where the musicians are introduced – then enjoy, enjoy, enjoy . . .
 
April 28th, 2021

Eric Kloss: 1949-
. When we think of blind musicians, most of us think back to our rock/soul roots and think immediately of Stevie Wonder and Ray Charles. Well, jazz, too, has its blind musician – Eric Kloss. Eric was born in western Pennsylvania and attended a school for the blind run by his father. Taking up the saxophone at 10, Eric didn’t shy away from the difficult.

This was confirmed when at the age of 12, Eric ventured up onto a stage with the legendary Sonny Stitt. As Mike Shanley wrote in Jazz Times Magazine in April 25th, 2019:

“Anyone brave enough to join Sonny Stitt onstage knew that he risked public humiliation if he didn’t meet the moody alto saxophonist’s impeccable standards. So when Eric Kloss sat in with Stitt at Pittsburgh’s Crawford Grill, the 12-year-old alto player wasn’t going to get any breaks due to his age-or his blindness. Stitt called “Cherokee” in B-up a half step from its usual key, and a tricky one for anyone playing a reed instrument. Knowing he had to play the melody on the bridge, Kloss’ mind started racing as the song kicked in. “It’s a minor third from B-flat to the C-sharp,” he thought, “and if you go from the B up to the D, and if I know that the concert E that I have to play is a ninth above, I think that’s right.” He took a deep breath and blew what he hoped was the right note. When his guess proved correct, Stitt grabbed Kloss’ knee and enthusiastically responded, “Yeah, man.”

At 16, Eric recorded his first album, the 1965 recording, Introducing Eric Kloss on the Prestige label and in the next 10 years, 14, mainly Prestige recordings, had been released. Two of the albums, Consciousness (1970) and One Two, Free (1972) made Piero Scaruffi’s Italian e-zine list of the top 100 Greatest Jazz albums of All Times! Starting out heavy on bop and hard bop he also started playing with more fusion artists like Chick Corea, Dave Holland and Jack DeJohnette. Other well known artists such as Cedar Walton, Kenny Barron and Booker Ervin were also compatriots in the jazz idiom. Overall he has released as a leader over 20 albums up to 1982 at which time he basically stopped recording due to ill-health. In 1989 he became a spokesman for Yahoo Music promoting and performing with the sax-like MX-11 wind synthesizer. In 1998, he did release Sweet Connections: Live at EJ's.

In the 1980s Eric taught at various universities – Rutgers, Carnegie Mellon and Duquesne, his alma mater. It has been difficult to find much information about Eric especially since the late 1990s. And, I have been unable to ascertain if he is still with us.

His recording of “Summertime” on In the Land of the Giants (1969) is considered by some as one of “the definitive Hard Bop recordings” (* w0Hg2D1XfBE ). Today’s selection, though, is the title tune from the 1969 album To Hear Is To See, also the name of the first song on the album which is followed by four more tunes. Eric certainly put together an all-star band for this album with the recently departed Chick Corea on piano, Dave Holland on bass and Jack DeJohnette on drums.

 
Yes! Eric Kloss is just great!

I checked out Robert Glasper. He's doing something!

f-d

ípapß gordo ainÆt no madre flaca!
 
April 29th, 2021

Yes, today, the penultimate day of my jazz posts, I am featuring another pianist! Seems that many of those featured this month are, in fact, pianists. Perhaps this is done subconsciously as I played keyboard – but am just mesmerized by the breadth and playing ability of so many jazz pianists in the past and present – from Jelly Roll Morton to Art Tatum, Joe Albany to Bobby Timmons, from Dave Brubeck to Chick Corea, from Michael Pettrucciano to Hiromi Uehara, from Duke Ellington to George Shearing and Andre Previn. There are so so many great ones.

Shai Maestro: 1987- . Shai, an Israeli born pianist began the piano at age 5 and subsequently studied at a High School of performing arts in Israel. In 2002 and 2003 he won National Jazz Ensembles Competition “Jazz Signs” in 2002 and 2003. He won summer music scholarship at Berklee in Boston and subsequently a full scholarship which he turned down.

Some have called his approach to his music “fearless” – others suggest an incredible musical fluidity, introspective, lyrical, virtuosic and free. Perhaps what shaped him [Shai] was a difficult moment on tour with bassist Avishai Cohen and drummer Mark Guiliana as written in a piece by WBJO from a podcast. “In the middle of a performance, while playing his tune, the trio took an unexpected detour and he completely freaked out. That meltdown would change his thinking, and approach to music, forever.”

This reminds me of something that Herbie Hancock once said on working with Miles Davis as noted in his Harvard Lecture No. 1 entitled “The Wisdom of Miles Davis”. In one tune where the Miles band was in a real groove, the moment was coming when Herbie was to enter the fray – anticipating this big moment, somehow Herbie hit the wrong chord – and nearly melted - shocked. Without missing a beat, Miles took that “wrong chord” and turned it into something beautiful. Miles has been quoted as saying: “There are no mistakes in jazz, all that matters is the note that you play next.” That might be good advice on life – it is not what you have just done, it what you do going forward! (I strongly urge all to listen to the 6 Harvard Lectures by Herbie Hancock – you will come away with some different perspectives on yourself and life.)

But let’s get back to Shai. A few short weeks after turning down the full scholarship at Berklee, Avishai Cohen, who played with Chick Corea, asked Shai to join his trio mentioned earlier. During the course of the next few years, Shai was involved as part of the trio with the release of 4 albums.

In 2010, Shai formed his own trio and recorded his first self-titled album as leader, Shai Maestro Trio which was released in 2012. The album was well received in Europe and the Trio was playing up to 80 concerts per year. His second album, On the Road To Ithaca, was of interest to me in that my road to Ithaca was to Cornell University. Still, that was a small road compared to the larger picture – the road of life with Ithaca the place you reach. In 2018, Shai signed with a major record European label, ECM, and released The Dream Thief that same year. For 2021, Shai added the American trumpeter Philip Dizack to release Human.

You might want to check out an interview with Shai – google the phrase “ the-checkout-israeli-pianist-shai-maestro-on-being-more-human-before-his-ecm-release “ and the wbgo podcast will come up. An interesting interview.

Besides leading his own group, again as with most jazz musicians, Shai records and play with many others on the scene. He recorded with vocalist Theo Bleckmann, and appeared with Mark Guiliana’s Jazz Quartet’s debut album (Mark was also in the Trio of Avishai Cohen). He has also played with the Tokyo Philharmonic Orchestra at the Tokyo Metropolitan Theatre.

Today’s selection is a concert by Shai and his trio in Jazz at Marciac in 2013.

 
April 30th, 2021

My early plans for the last artist selection for April’s Jazz Appreciation Month was to end with one of the most famous jazz icons of all time - John Coltrane: 1926-1967. But, I ran across a German drummer the other day and thought that, yeppers, I would end the month with introducing him to you all.

Wolfgang Haffner: 1965- . Wolfgang’s drumming career developed from an early age and at 18, the trombonist Albert Mangelsdoreff pegged him to be a member of his band. and at 18, the trombonist Albert Mangelsdoreff pegged him to be a member of his band. Wolfgang became well known in German playing with some of the best jazz musicians that the country has to offer including Klaus Doldinger (saxophonist) and Till Brönner (trumpeter). However, Wolfgang’s fame also extended internationally as he played with such jazz musicians as Pat Metheny, Randy and Michael Brecker and John Abercrombie. Obviously his sense of “forward propulsion and [his] inspiration” was trusted by these musicians. He has also played with a number of top Scandinavians as well. He has also acted as a sideman with Chaka Khan.
To quote: “Wolfgang Haffner is a past master when it comes to atmosphere, groove and flow. His unmistakable feeling for the sublime in music and his ability to create mood and atmosphere are what set his music apart. He has found his own personal style, and as a bandleader he has evolved the typical Haffner sound which is immediately recognizable after just a few bars.” Wolfgang seems to be a big fan of the use of brushes.

So what track record has Wolfgang produced? He has played on over 400 albums and toured the world. He has recorded 16 solo albums and in 2010 he received an ECHO award.

A number of recent albums include Kind of Cool (2015), Kind of Spain (2017) and Kind of Tango (2020). I like the tunes on Kind of Cool as they include Miles Davis’ “So What", Gershwin’s “Summertime”, Hart & Rodgers’ “My Funny Valentine” among other standards. The albums noted are heavy on the bass as well . . . some really nice work by Dan Berglund. For the selection today – a concert at JazzBaltica 2015. I think that you will find this quite enjoyable.


Thank you for taking some time out of your day to read this month’s artist selections and their music. Hoping that you enjoyed it. I aim to expand these selections with pictures, more links and the like. This might take awhile. If you are interested in obtaining a soft copy, please let me know - bohicafries (gmail).
 
I just browsed the list. I agree on many names I know, and I appreciated the inclusion of the Latin pianists Michael Camilo and Chucho Valdes, a couple of real monsters with both superlative technique and Latin feel. Paquito D'Rivera is another musician dwelling in the absolutely upper levels of musicianship.

I have his CD with tico-tico on the clarinet. Stunning describes only 1% of it.

 
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